Grand Prix du livre de Montréal: 2023 edition
Discover the winning book, the finalist books and other titles from the Jury’s Selection of this year’s Grand Prix du livre de Montréal.
Get inspired by the books that stood out in the minds of jury members. These books are available at your local library or in digital format. Reserve your copy today.
The winning title
Tu choisiras les montagnes, by Andréane Frenette-Vallières, Le Noroît
Jury comments
“In this undefinable yet admirably complex book, the author (in French) draws connections between writing, the absence of a voice and anorexia, in a poetic musing on disappearance. An essay-poetry-short story hybrid, this book tackles domestic violence and, with all due measure, seeks to combine feminism and ecology.”
Reserve (in French)
Photo credit: La Janvier
The 4 finalists books
The jury retained the following books:
Trop de Pascale, by Pascale Bérubé, Triptyque
Jury comments
“Driven by a quest for identity, the author (in French) shapes and defines herself through this collection, which is centered on the trans body. The fragmented performance writing is in keeping with the book’s theme. A disturbing and unsettling volume that plays with the codes of femininity without ever maligning them.”
Reserve (in French)
Photo credit: Pascale Bérubé
I Felt the End Before It Came: Memoirs of a Queer Ex-Jehovah’s Witness, by Daniel Allen Cox, Viking
Jury comments
“Daniel Allen Cox tells his life story with gusto, from growing up Jehovah’s Witness to coming out as a gay man and discovering art and writing. He draws parallels between his personal life and societal issues, interspersed with deep reflections on grief and forgiveness.”
Reserve
Photo credit: Alison Slattery
Que notre joie demeure, by Kevin Lambert, Héliotrope
Jury comments
“An ambitious novel that portrays the ultra-rich and their many contradictions through the character of a famous architect. The author (in French) takes an acerbic view of society in this narrative tour de force woven together from long descriptions of parties told in breathtaking detail.”
Reserve (in French)
Photo credit: Julia Marois
Rang de la Dérive, by Lise Tremblay, Boréal
Jury comments
“These five short stories deal with aging in women and the end of romantic relationships. They present strikingly different yet similar perspectives on a recurring theme: the need to feel free and shed lingering feelings of shame. The author (in French) has a spare, classic style that is deceptively simple but packs a punch.”
Reserve (in French)
Photo credit: Martine Dorion
Jury’s Selection
In addition to the finalists, the following five titles are part of the jury’s selection.
Corps vivante, by Julie Delporte, Pow Pow
Jury comments
“This comic book offers up a profound account of homosexual love and sisterhood, delivered in simple prose. This organic, complete work of art is accompanied by sensitive drawings that are a stunning interplay between light and dark. The author (in French) makes reference to groundbreaking lesbian artists and theorists.”
Reserve (in French)
Photo credit: Hamza Abouelouafaa
Acting Class, by Nick Drnaso, Drawn & Quarterly
Jury comments
“A book about solitude in the age of neoliberalism, about the despair that inhabits some of us. The author has dreamed up 10 characters, who all have one thing in common: they’re enrolled in an acting class. A realistic book that explores the existential emptiness and ordinariness of everyday life.”
Photo credit: Chester Alamo Costello
Les retombées du désordre suivi de Trente-sept acres de solitude, by Hélène Harbec, Le Noroît
Jury comments
“The poet (in French) explores the effects of a separation on her inner and outer selves. As the seasons pass, the same landscape is described, the same gestures tirelessly repeated. Nature takes over, guiding the author through her pain. Mourning is a ritual that gives way to resilience.”
Reserve (in French)
Photo credit: Violaine Germain
Marguerite : le feu, by Émilie Monnet, Les Herbes rouges
Jury comments
“This piece owes its remarkable originality to the playwright’s meticulous archival research. This collective work, which combines several voices, is centered on Marguerite Duplessis, an Indigenous woman who was enslaved during New France. The author (in French) employs a powerful stage device to shed light on an often overlooked chapter in Québec’s history.”
Reserve (in French)
Photo credit: Katya Konioukhova
Le privilège de dénoncer, by Kharoll-Ann Souffrant, Les éditions du remue-ménage
Jury comments
“Written in clear and concise language, this essay discusses rape culture and the struggle for victims to report the crime and obtain justice; the author (in French) weaves in findings from social science research in language that’s easy for readers to understand. She gives a new voice to the African-American women behind these social movements.”
Reserve (in French)
Photo credit: Chloé Charbonnier
Jury
The jury for the Grand Prix du livre de Montréal is broadly representative of the different sectors of the industry as well as contemporary Montréal literary and intellectual currents.
Poet and novelist Carole David spent her career teaching literature at the college level. She now dedicates herself full time to writing. In 2019, Ms. David received the Grand Prix du livre de Montréal for her poetry collection titled “Comment nous sommes nés,” published by Éditions Les Herbes rouges.
Photo credit: Katya Konioukhova
Literary translator and researcher Arianne Des Rochers teaches translation at the Université de Moncton. She also provides editing and editorial support services in Montréal’s literary community.
Photo credit: Annie France Noël
Daniel Grenier is a writer and a translator. His first novel, “L’année la plus longue,” published in 2015, won the Prix littéraire des collégiens. In recent years, he has published two essays and the novels “Françoise en dernier” (Éditions Le Quartanier, 2019) and “Héroïnes et tombeaux” (Héliotrope, 2023).
Photo credit: Julia Marois
Ayavi Lake grew up in Dakar and went on to study in Paris, where she published a pair of works before moving to Québec, where she now teaches at the college level. All these places have informed her writing. Her novels “Le Marabout” and “La Sarzène” were published in 2019 and 2022, respectively, by VLB éditeur. Her work is steeped in magical realism.
Photo credit: Mélanie Crête
Mauricio Segura has a doctorate in French literature and has taught at several universities. He sits on the editorial board of the magazine “L’Inconvénient.” He has published five novels with Éditions du Boréal, with “Oscar” and “Viral” being the most recent. He has also written an essay, “La Faucille et le condor,” published by Presses de l’Université de Montréal (PUM).
Photo credit: Mizo
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