Natalja Scerbina is a visual artist based in Montreal since 1997. A graduate of Concordia University with a degree in Art History and Studio Arts, she has exhibited regularly since 2006 in both solo and group exhibitions, notably at Galerie du Viaduc, Galerie Projet, and Galerie Tzara. Her work is included in public collections, including the Musée national des beaux-arts du Québec, as well as in private collections.

Her practice explores the relationship between humans and the living world, situated at the intersection of abstraction and figuration. She creates evocative, atmospheric environments where fragility, memory, and transformation converge. Her work invites contemplation, navigating between reality and the imaginary.

In 2021, her work was featured in the exhibition Hors cadre at the Montreal Museum of Fine Arts. Her exhibition De nos gestes fragiles (2023) marked the beginning of her collaboration with Galerie Simon Blais.

Fred Laforge lives and works in Montreal. In 2016, he completed a PhD in Arts Studies and Practices at the Université du Québec à Montréal. Her work has been shown in Canada and abroad in several solo and group exhibitions. He participated in the Quebec Manif d’art, the Foire Papier, the Vrsac Biennale in Serbia and the Scope Fair in New York. His work has recently been presented at the National Museum of Printmaking in Mexico City. Fred Laforge has received numerous scholarships from the Council of Arts and Letters of Quebec and Canada as well as the Fonds de recherche Société et culture du Québec. He has also created various public art projects in Canada. His works are part of private and institutional collections including the National Museum of Fine Arts of Quebec.

Cécilia Bracmort is a French-Canadian artist and curator based in Montreal. Her Caribbean heritage informs both her artistic and curatorial practices, which focus on questions of identity—both individual and collective—as well as memory and history.

Through her projects, Bracmort builds connections between themes such as ecology, trauma, and mythology. In doing so, she encourages audiences to move beyond conventional perspectives and invites them to see the world in new ways.